Happy Tuesday, happy third day of the year. Today, I’m starting my own Book Blogging meme, at least on this page. I call it Character Tuesday. Write about one to three characters that you like or don’t like, in fiction. There will probably be a theme but not always. The only other rule is that I want to keep it constructive; in other words, if I say something bad about how a character is written, I’m going to say why. If anyone else wants to play along, I’ll set this up like a regular blog-along for everyone.
Today, I’m going to talk about villains in books, and what makes the truly good ones. Well, bad ones. Whichever adjective you care to use. I’ve been thinking about this a lot because I’m writing a villain myself. Yes, my book has a Dragon, and an enemy general, and a few sadistic killers in it, along with monsters, demons, and even a lawyer, but I realized that those kind of villains aren’t the ones I remember the most from my reading, and that’s probably because those aren’t the kinds of villains I encounter in my daily life.
These three are examples of what I’m talking about. These aren’t the boogeymen, the wights, the dragons, then unrestful dead. These are people who could run into every day.
A lot of digital ink has been spilled over exactly why she’s such a memorable villain, and some people, including your not-so-humble blogger, think that she’s the most frightening villain in the series, even though her death count is much lower than any of the Death Eaters. The most frightening thing about her, though, is that she’s completely and totally believable. Most of us aren’t going to run into dark wizards throwing Cruciatus curses at us, but we will probably deal with someone who has power over us, power that we can’t do anything about whether we want to or not. Even worse, the Umbridginian Villain, even more than your average evil fantasy bad-guy, does not think that he or she is doing anything wrong. Everything she does is what she thinks will keep people safe. Whether it’s effective or not isn’t the point. The point is, individual rights have to go by the wayside when the Organization (whether Hogwarts, Public High Schools, or the Department of Homeland Security) has other concerns like keeping its subjects safe, exactly the way it thinks its subjects need to be kept. This is the villain who will punish a student for what he said in class, not because it’s a lie but because it will scare other students. These are the people who implement security theater throughout the country, and respond to reports that it might be ineffective by adding even more theater instead of actual security. (A true Umbridginian, though, would prosecute the people complaining about it, discouraging others from complaining.)
Now we’re getting away from the bureaucratic villains and into something different. I can only barely begin to describe how much I loathe Disney for how they treated this character. In the book The Hunchback of Notre-Dame (which is just as good as Les Miserables, though it doesn’t have anything about dreaming a dream and such) the action is put into motion by Phoebus. Everything bad happens because Phoebus is a spoiled wealthy knight who gets what he wants. And when the crap hits the agitator blades, he ducks out of the picture, ignores everything going on because of what he started, and STILL winds up with a happily-ever-after for him. (He’s about the only main character in the book who gets one.) He’s the kind of person the Psalmist was talking about when he wrote Psalm 73, AKA When Good Things Happen to Bad People. If I could somehow enter the pages of a book and slap the nosehairs out of a character, it would be him.
So, you can imagine how I felt when I saw a commercial for the then-upcoming Disney treatment and I realized that Phoebus was rewritten to be brave and ultimately, the hero. I might have screamed a little. I haven’t much been able to enjoy Disney cartoons since.
The Chief, AKA Sharkey
SPOILERS FOR ANYONE WHO HASN’T READ THE LORD OF THE RINGS. THIS WAS NOT IN THE MOVIES.
(Here, look at the picture of a dog and his puppy, posted by /u/emoposer on the subreddit /r/aww)
Alright, for those of you who have read LOTR, I’m going to talk about the second-to-last chapter, “The Scouring of the Shire.” Every time I reread this book (I think my last rereading was my fourth) I like this part more; indeed, it’s thick enough in concept and character to justify a complete novel of its own. Even before we learn who The Chief is (which actually kind of disappointed me, and I would have liked it better had he just been a regular man who saw an opportunity and jumped at it) we see what happens when there’s a power vacuum during a war or other disturbance. A group of men took advantage of Frodo’s absence, made inroads into the community by offering money and power, and soon (within a year or two, perhaps) were running Hobbiton like it was their own person fiefdom. It’s a shocking bit of realism, probably informed by what happened in a lot of cities and countries after World War II, and it’s again an example of casual greed and opportunism doing as much damage as intentional evil and destruction. It’s the most underrated chapter in the book (I’ve rarely heard people complain about its omission like they will about missing Tom Bombadil) and yet, one of the most relatable to our own world.
So, those are my villainous inspirations. Now I need to go back to my notes and work on one of my own.
Tell me about your favorites in the comments, or write a post and link back. I think this is a conversation worth having.